Festival d'Avignon
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    FESTIVAL D'AVIGNON
    79e édition J-40
    Du 5 au 26 juillet 2025

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    RUBEN MOLINA

    La Salida

    BALLET FLAMENCO

    Du 5 au 25 Juillet 2025 à 16h

    THÉÂTRE GOLOVINE

    1 Bis Rue Sainte-Catherine, 84000Avignon

    Relâche les lundis 7, 14 et 21 juillet 2025

    Durée du spectacle : 1h10
    A partir de 6 ans

    Plein tarif : 22€ - Tarif OFF : 15€ - Tarif enfant (-12 ans) : 12€

    Réserver

    Pièce pour 5 danseur.euse.s, 1 chanteuse et 1 musicien

    Rubèn Molina, chorégraphe et danseur de la scène flamenco contemporaine, présente son nouveau
    spectacle intitulé “La Salida”. Après le succès de “Nuit flamenco acte II” et “Matame”, Rubén continue d'explorer les différentes facettes de cet art ancestral.
    Dans ce spectacle, il mêle la danse, la voix, la musique live et le théâtre pour réinventer les codes du flamenco. Il dialogue avec la danse contemporaine et le classique espagnol afin de créer un langage universel qui dépasse les mots et permet d'incarner toute l'humanité.
    Il s'agit d'une oeuvre cathartique où chaque mouvement porte une histoire. "La Salida" qui signifie "La Sortie”
    en espagnol, symbolise l'ouverture vers de nouvelles expériences, une échappée vécue comme un voyage qui permet à Ruben Molina de donner une voix aux minorités invisibilisées.

    LA SALIDA - by Rubén Molina - Video
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    "Pour votre bien"

    Compagnie HIPPOCAMPE : mime coporel théâtre

    Du 5 au 25 Juillet 2025 à 19h30

    à la Fabrik Théâtre

    70 Impasse Favot - Route de Lyon

    Renseignements : 04 90 86 47 81

    Réserver

    Madame de la Porte voit son quotidien basculer lorsque deux cyber-fonctionnaires zélé.e.s débarquent chez elle avec une mission : installer la peur dans son foyer. C’est la Loi. C’est pour le bien de tous.
    Entre satire burlesque et fable dystopique, Pour Votre Bien embarque le spectateur dans une farce visuellement explosive, où l’absurde, l’humour noir et le vertige s’allient pour interroger les mécanismes de contrôle et la fabrication de la peur dans notre société contemporaine.

    TELERAMA TTT : Une dystopie loufoque sur les contradictions de notre époque.
    LA TERRASSE : Étrange, absurde, grinçant, ce spectacle est une fable dénonçant les travers d’un monde saturé d’images anxiogènes.
    LA SCENE : Ce spectacle aborde comment [la peur] peut induire certains comportements sous l'effet d'une dictature mais aussi de façon insidieuse. Un pari réussi !
    TATOUVU : Plongez dans ce thriller cartoonesque qui suit une femme, dans une société où l’instinct de préservation est devenu levier de contrôle social.

    Pour votre Bien - Compagnie Hippocampe à la Fabrik Théâtre - Festival Off Avignon 2025 - Video

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    FESTIVAL D'AVIGNON - PAST

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    FESTIVAL D'AVIGNON
    77e édition J-23
    Du 5 au 25 juillet

    Festival d'Avigon
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    CIA DOS A DEUX :

    IN ANOTHER ABYSSAL DIVE INTO THE DREAMLIKE IMAGINARY

    Enquanto você voava, eu criava raizes/While you were flying, I was creating roots - Video

    As you flew, I took root. Cia Dos à Deux. September/2022. Photos/ Renato Mangolin.
    From the oppressive but at the same time reflective loneliness to which we were subjected, as if condemned to house arrest during the pandemic time, a questioning interregnum was established in our lives, signaled by the stigma that we might or might not be the next fatal victim.
    That was reflected speculatively in each of us in differential dimensionings, but always carried by a dose of expectation to understand, in the midst of fears and shadows, the real meaning of that instant situation in his glimpse of how difficult it is to support the human condition with its perspective of terminality.
    With this dramatic passage in our existential trajectories, the multiple artists André Curti and Artur Luanda Ribeiro, once again activated their inventive drive, situated at the confluence of artistic languages from theater to dance, to resume the dreamlike imaginary that has marked their creations, over the years, through Cia.
    Now, with the proposal to also show his conceptual conception, under introspective cries of silence expressed by visceral gestualist approach, in his latest scenic achievement, symbolically named While You Flew, I Created Roots.
    In a critical analysis that we posted at the time, about the last work presented on Brazilian stages – Blood Brothers, we made a point of highlighting the permanent transmutation of a Freudian principle in the creations of the Company where "virtual thought is closer to unconscious processes than verbal thought".


    As you flew, I put down roots. September 2022. Photos/ Nana Moraes.
    In the circularity of a plastic/kinetic vocabulary capable of referring, sometimes to a format of ritualistic connotation and more playful in its kaleidoscopic structuring, propitiating a psychedelic succession of overlapping images.
    Or with a scenographic reference to the iconic drawing the "Vitruvian Man" by Leonardo da Vinci. By the symmetrical imagery suggestion of a naked male human body, unfolding its arms and legs in a plastic portrait, situated between a circle and a square, which is the earth and also the sky.
    Here, as if it were only one, the corporeality of the two actors/dancers (André Curti and Artur Luanda Ribeiro) simultaneously, according to the alchemical notion, in the ideals of what is above is equal to what is below, touching the feet and hands, while the arms elongated by supports create a delirious visuality, in the sequential gestural/choreographic succession of an instant that leads sensorially to another.
    Highlighted by luminary effects (Artur Luanda Ribeiro) under the prevalence of shading, between metaphorical pictorial tones, with virtual brushstrokes sometimes abstract or with a pointillist accent, in the scene of water drops filling the scenic space.
    Always, in mind-blowing visual insertions, from the use of material (by Diir) and videographic (Laura Fragoso) elements. Alternating a figurativism of clothing (Ticiana Passos) with the body denudation of the performers. It is necessary to highlight the striking and qualifying originality of the sound score of classical tessitura, by the composer and instrumentalist Federico Puppi.
    Able to provide in its low sound waves, between melancholic chords, an emotional surroundings taken to its culmination in apotheotic percussive rumble. This young composer increasingly surprises with his inventive pursuits that bring him closer to the musical experiments, with a liberating minimalism, of the Estonian Arvo Pärt.
    Provocative and immersive, from the energetic physicality to the introspective proposal, the gestural writing of While You Flew, I Created Roots, makes its creators – André Curti and Artur Luanda Ribeiro – share it with the viewer as a reflective work open to the intimate enjoyment of each one. It is thus able to echo the emblematic mystery of Clarice Lispector – "Hear me, hear my silence. What I say is never what I say, but something else."
    Wagner Correa de Araújo

    Review by: Wagner Corrêa de Araújo

     
    Wagner Correa de Araujo - Web Site

    Wagner Correa Cel.: +55 (21) 99644-4139
    wagner.correa@escriturascenicas.com.br

    While You Flew, I Created Roots/Cia Dos A Deux is on display at Oi Futuro/Flamengo, from Thursday to Sunday, at 8pm. Until September 25
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    G.R.O.O.V.E.

    Bintou Dembéle - G.R.O.O.V.E.
    France / Création 2023
    Rejoignez G.R.O.O.V.E., une déambulation de Bintou Dembélé qui ouvre les portes de l’Opéra en détournant le livret des Indes galantes. Une traversée flamboyante qui bouleverse les codes de la rue.
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